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Sintra Moors Castle - filming location in Portugal

SCENE 01 / COMMUNICATION SYSTEMS

Communication Systems

Professional on-set communication equipment keeping your production coordinated and running smoothly.

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Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.

Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.

Capabilities

Complete Communication Solutions

From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.

01

Two-Way Radios

  • Motorola digital systems
  • Multi-channel radios
  • Long-range units
  • Waterproof handsets
  • Repeater systems

Reliable Coverage

02

Headset Systems

  • Production headsets
  • Surveillance earpieces
  • Noise-cancelling units
  • Boom operator comms
  • Director headsets

Hands-Free Comms

03

Intercom Systems

  • Clear-Com systems
  • Riedel artist series
  • Wireless beltpacks
  • Base stations
  • Camera talkback

Pro Intercom

04

Specialty Comms

  • IFB systems
  • Video village feeds
  • Multi-zone coordination
  • Stunt coordination systems
  • Crowd control comms

Specialized Solutions

On Location

Production comms across Lisbon, Porto & remote Portuguese locations

Here is how this works in practice. Production communications in Portugal run on a layered backbone tuned to ANACOM's range regime, the European Portuguese on-set vernacular, and the country's three-network mobile fabric of MEO (Altice The country), Vodafone The country, and NOS. We stage Motorola Options Iberia digital fleets out of the Caleidoscópio, LXmedia, and Mola Activa pools in Lisbon, with cellular fallback flipping cleanly between MEO, Vodafone PT, and NOS — all three now running 5G across Lisbon, Porto, and the Algarve coastline, thinning to LTE across inland Alentejo, the Serra da Estrela, and the Azorean interiors of São Miguel and Pico.

Here is what that looks like on the ground. Frequency licensing flows through ANACOM under short-term production authorisations. We file forms for analog and digital fleets so the AD, sound, camera, grip, and lighting departments can talk without trouble on any registered location across the mainland, Madeira, or the Azores. For drone-augmented coverage we lock the comms plan against ANAC operator certificates and NAV The country airspace clearances so pilot, observer, and AD share a dedicated channel.

Here is the short of it. For ICA-rebate-scale global features the standard package mirrors the deployments seen on Indiana Jones 5: Dial of Destiny, 1899, and Glória. Clear-Com Eclipse matrices wired to the village at Tobis Portuguesa or Estúdios Valentim de Carvalho, Riedel Bolero wireless beltpacks across the floor, and Motorola APX fleet radios bridged to second-unit and aerial teams flying with Heliportugal, Heliresgate, or Helibravo Madeira.

Here is how the picture comes together. Cross-border supplements arrive from Madrid in five to six hours via Iberian roads through Sigma Cine, ARRI Rental Madrid, or Cinegrell when shoots need extra Bolero antennas, IFB packs for executive producer feeds, or Sennheiser Digital 6000 surveillance earpieces tuned to the German-engineered European standard. On-set radio defaults to European Portuguese for crew calls. With Spanish bridging seamlessly to Iberian-sourced technicians and English keeping the producer track legible for global leads.

FAQ

Production Communication Expertise

What communication systems do you provide?

Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.

How many radios do I need for my production?

Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.

Can you provide coverage in remote locations?

Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.

Do you handle frequency licensing in Portugal?

We set up all frequency licensing needs with ANACOM. This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.

What about intercom systems for video village?

We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.

How do you handle equipment for multiple units?

For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.

Productions in Portugal that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.

On Set

Need Production Comms?

Tell us about your production and we'll design a communication solution that keeps everyone connected.