SCENE 01 / COLOR GRADING
Color Grading
Creative color grading that transforms your footage into cinematic masterpieces with emotional depth and visual impact.
Here is how this works in practice. Grading is the creative process of manipulating color, contrast, and tonal qualities to set up mood, visual style, and narrative meaning. Working in calibrated grading suites, colorists shape the emotional tone of each scene through deliberate color choices that serve the director's storytelling vision.
Here is the short of it. We set up grading sessions with skilled colorists in professionally calibrated grading environments. Our team manages media preparation, reference material, and scheduling to make sure your production receives the creative color treatment that brings your director's visual vision to life on screen.
Capabilities
Creative Color Grading Excellence
Our expert colorists combine artistic vision with technical mastery to craft unique visual aesthetics that support your narrative.
01
Creative Vision
Unique looks that enhance storytelling and emotional resonance through masterful color manipulation.
Artistry
02
Cinematic Quality
Film-quality grades for theatrical and streaming release that captivate audiences.
Excellence
03
DaVinci Resolve
Industry-standard grading with advanced node workflows and panel control.
Precision
04
HDR Mastering
High dynamic range grading optimized for modern displays and premium platforms.
Future-Ready
Creative Services
Technical Capabilities
Our Color Grading Process
We follow a collaborative creative process that ensures your vision is realized through exceptional color grading.
Creative Brief
We talk about your vision, review references, and set up the creative direction for your project's look.
Look Development
We develop first looks on key scenes, refining the aesthetic until it matches your creative intent.
Scene Grading
We apply and refine the set up look across all scenes, making sure consistency and emotional impact.
Final Polish
We finalize grades, create deliverable versions, and prepare masters for all needed formats.
Why Us
Why Choose Our Color Grading
01.
Artistic Excellence
Award-winning colorists with creative vision and tech skill.
02.
Premium Tools
DaVinci Resolve Studio and calibrated reference displays.
03.
Collaborative Process
Close partnership with filmmakers to achieve creative goals.
04.
Cinema Quality
Theatrical-grade grading for all shoots.
On Location
Baselight and DaVinci Resolve grading with Dolby Vision, HDR10+, and DCI-P3 mastering
Here is how this works in practice. We set up grading sessions on Baselight (FilmLight) at top Portuguese houses and DaVinci Resolve Studio across LXmedia Studios Lisbon, Tobis Portuguesa (operating. Since 1932), Caleidoscópio, Atalaia Studios, and Estúdios do Carnide — with cross-border options at LightLab Madrid (color finishing pros), Welab Madrid post pipeline, Sigma Cine Madrid, and Cinegrell Madrid when Iberian co-shoots need parallel capacity within the 5-6 hour Lisbon-Madrid drive.
Here is what we have to work with. HDR mastering covers Dolby Vision for Apple TV+ PT and Netflix PT, HDR10+ for Amazon Prime PT, and HLG for broadcast on RTP, SIC, TVI, and CMTV, with calibrated HDR reference monitors (Sony BVM-HX310 and Eizo CG3146 standard) for accurate trim passes. DCI-P3 cinema grading targets DCP screenings at IndieLisboa (Lisbon Global Film Festival. Since 2004), LEFFEST (Lisbon & Sintra), Doclisboa (since 2003), Curtas Vila do Conde (since 1993), Festival de Cinema de Faro, Porto/Post/Doc, Fantasporto, MOTELx, Festroia Setúbal (since 1985), and Caminhos do Cinema Português Coimbra. Rec.709 trim passes are derived for broadcast deliverables under EBU R103 broadcast-safe compliance, plus SDR masters for streaming sites needing multi-tier distribution.
Here is the short of it. Portugal's color-grading aesthetic lineage runs through Acácio de Almeida's cinematography across Manoel de Oliveira's seven-decade filmography — the longest active film career in history. From Aniki Bóbó (1942) to his final work at age 106 in 2015 — and Rui Poças's today's lensing on Miguel Gomes's Tabu (Berlin Silver Bear FIPRESCI 2012), João Pedro Rodrigues's The Ornithologist, and Frankie (Ira Sachs 2019 Sintra). Pedro Costa's distinctive low-light digital aesthetic across Vitalina Varela (Locarno Golden Leopard 2019), Horse Money, Colossal Youth, In Vanda's Room, and the Fontainhas Trilogy sets a Portuguese arthouse grading reference.
Here is the layout. Miguel Gomes's Grand Tour (Cannes Best Director Prize 2024) and Arabian Nights trilogy, João Pedro Rodrigues's Will-o'-the-Wisp, and João Salaviza's Mountain plus global credits Indiana Jones 5: Dial of Destiny (2023), 1899 (Netflix 2022), and Glória (Netflix 2021) have all routed grading through Lisbon's principal finishing houses. EUR settlement at 23% IVA, RGPD/GDPR-compliant media handling under CNPD oversight.
FAQ
Frequently Asked Questions
What color grading software do you use?
Here is the breakdown. We primarily use DaVinci Resolve Studio for its industry-top color tools and workflow flexibility. Our colorists are also proficient in Baselight and FilmLight systems. We match tools to project needs and can work within your existing pipeline if needed.
Can you create specific film looks or period aesthetics?
Here is what that looks like on the ground. Fully. We specialize in developing custom looks from subtle naturalistic grades to bold stylized treatments. Whether you need a desaturated thriller aesthetic, warm period drama tones, or futuristic sci-fi looks, we create distinctive visuals that serve your story.
How do you handle HDR grading?
Here is how the picture comes together. We grade in HDR natively using calibrated HDR reference monitors, then create SDR trim passes for standard distribution. Our pipeline supports HDR10, HDR10+, Dolby Vision, and HLG formats, making sure your content looks stunning on any display.
Can we participate in remote grading sessions?
Yes, we give full remote joint work through calibrated streaming sites with real-time interaction. You can participate in grading sessions from anywhere, giving feedback as we work through your project together.
Related Services
Productions in Portugal that need this often pair it with Color Correction Services, Look Development Services, and Online Conform & QC Services for full coverage. Most projects also draw on Title Design & Credits Services and 5.1 Surround Mixing Services.
On Set
Ready for Cinematic Color Grading?
Let's create stunning visual aesthetics that elevate your storytelling.