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Porto Cathedral - filming location in Portugal

SCENE 01 / GRIP EQUIPMENT SERVICES

Grip Services

Professional grip crews and equipment for camera and lighting support across Portugal.

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Here is how this works in practice. Grip kit services give the mechanical support hardware and rigging that shapes light and positions cameras on set. In Portugal, grip teams work at Tóbis Studios Lisbon and on location from Porto's Ribeira district to the Algarve cliffs, using specialized rigging for Portugal's different urban and coastal terrain.

We source grip kit and skilled grip crews through Lisbon-based rental houses and Portuguese production suppliers, setting up with your key grip's specs to make sure all hardware meets Portuguese production safety standards.

Capabilities

Grip Department Solutions

From dolly operation to complex rigging, we provide experienced grip professionals and complete equipment packages for productions of any scale.

01

Camera Support

  • Dolly and track systems
  • Crane and jib operation
  • Slider and motion control
  • Specialty camera mounts
  • Vehicle camera rigs

Camera Movement

02

Lighting Support

  • Stands and rigging
  • Diffusion and flag work
  • Overhead frames
  • Silk and bounce control
  • Negative fill setups

Light Control

03

Rigging

  • Truss and grid systems
  • Safety rigging
  • Overhead installations
  • Set piece mounting
  • Specialty rigging solutions

Structural Support

04

Specialty Grip

  • Car and vehicle mounts
  • Process trailer operation
  • Greenscreen support
  • Rain and wind effects
  • Mechanical effects support

Specialty Solutions

On Location

Grip equipment services across Portugal — dollies, jibs, cranes, low-loaders, sliders, and rigging routed through Lisbon, Porto, and Algarve crew pools plus Iberian cross-border Madrid rentals on five-to-six-hour van runs for specialty Russian Arm and Filmotechnic builds.

Here is how this works in practice. Our grip packages route Chapman PeeWee IV, Hybrid IV, and Hustler IV dollies (with round-and-straight track sections), Fisher Model 11 and Model 10, Panther Foxy Advanced, and Egripment dollies for studio interior work at Tóbis Lisbon, Valentim de Carvalho, and Porto stage facilities. Crane and jib complement runs Technocrane 22 and 30 telescoping arms, Jimmy Jib Triangle II, ABC Crane Combo, MovieBird 45 and 65, plus Strada Crane via Iberian cross-border on five-to-six-hour van runs from Sigma Cine Madrid and Filmotechnic Madrid.

Here is the breakdown. Sliders, Skater Dollies, and tabletop systems run Kessler CineSlider, Slidekamera Hskater HD, Edelkrone SliderPlus Pro, and Cinedolly motorized rigs. Russian Arm and Ultimate Arm (six-axis stabilized car mount with FilmCar Mercedes ML and Range Rover chase sites) route through Filmotechnic Madrid and Cinegrell Madrid cross-border for Algarve coastal road shoots, Estoril autodrome heritage runs, and Lisbon urban chase sequences. Lighting stands, C-stands, combo stands, butterfly frames (8x8, 12x12, 20x20 silk-net-solid), and overhead frames complete kit.

Here is the short of it. Distribution routes through grip carts (Magliner Junior, Senior, Mag Mini), Lex 60-amp and 200-amp Bates camlock spider boxes, Putt-Putt Honda EU7000is and Honda EU2200i portable power packs (for quiet locations at Sintra UNESCO 1995 palace interiors, Belém UNESCO 1983 cloister, and Pico Island Vineyards UNESCO 2004 Azores), and silent forty-five-to-sixty-kVA Cummins QSB diesel power packs with Lex cam-locks for stage and exterior power.

Here is what that looks like on the ground. Rigging crew works heritage permit chains via DGPC (Direção-Geral do Património Cultural) for all seventeen Portuguese UNESCO sites, Câmara Municipal Lisboa and Câmara Municipal Porto film offices for street-closure planning, PSP for crowd-and-traffic control, ANAC and NAV Portugal for aerial-rig airspace planning on cable-cam and Spydercam builds, ANEPC for emergency preparedness, and IPMA for Atlantic weather windows. ICA cash-rebates qualifying spend, IVA twenty-three percent invoicing, ATA carnet short-term-import handling via Autoridade Tributária, Segurança Social retained-crew at roughly thirty-four percent, and ACT labor-inspectorate compliance routes through our production-services partners.

FAQ

Our Grip Network

What does a grip department do?

Here is the short of it. The grip department supports both camera and lighting. They operate dollies, cranes, and camera support gear for camera moves. They also handle all non-electrical lighting support: stands, rigging, diffusion frames, flags, and bounce/negative fill.

What positions are in a grip department?

Key Grip leads the department and works closely with the gaffer and DP. Best Boy Grip manages gear and logistics. Dolly Grip operates camera dollies. Company Grips handle general grip work. Rigging Grips focus on pre-rigging and construction.

When do I need a grip vs. an electrician?

Electricians handle anything electrical—lights, power distribution, cables. Grips handle physical support and rigging—stands, camera movement gear, flags, diffusion frames. The gaffer supervises electrics. The key grip supervises grip.

What equipment is included in grip packages?

Grip packages mostly have C-stands, flags, nets, silks, bounce boards, apple boxes, sandbags, clamps, and basic rigging. Dollies, cranes, and specialty gear are mostly extra items quoted separately.

Do your grips have rigging certifications?

Yes. Our rigging grips hold appropriate certifications for overhead work, truss systems, and safety rigging. Complex rigging work is supervised by certified rigging supervisors meeting industry safety needs.

Can you provide grip trucks with equipment?

We set up complete grip truck packages through our rental partners. These have the truck, driver, and full grip kit. Crew is booked separately based on your production's needs.

Productions in Portugal that need this often pair it with Portable Power Solutions, Gaffer & Lighting Services, and LED Lighting Systems for full coverage. Most projects also draw on Lighting & Grip and Green Screen Filming.

On Set

Need a Grip Team?

Tell us about your production and we'll recommend the right key grip and crew for your needs.