
SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Portuguese production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Multichannel wireless across mics, IFB, comms & timecode in Portugal
Here is how this works in practice. Wireless systems on Portuguese shoots sit under ANACOM's range authority. With the rental house filing short-term production licenses and setting up frequencies against broadcast and emergency-service allocations before kit leaves the truck. Caleidoscópio Lisbon, LXmedia, Mola Activa, and Filmconnection Portugal supply the full European reference inventory: Lectrosonics SRc / DSQD and Sennheiser Digital 6000 mic racks, Comtek M-216 and Lectrosonics IFB feeds for talent and director tracking, Riedel Bolero and Clear-Com FreeSpeak II wireless intercom across the floor, and Motorola Options Iberia digital radio fleets bridging AD, sound, camera, grip, and lighting. Ambient Lockit and Deity TC-1 wireless timecode keep multi-camera units in sync. With Tentacle Sync E recorders backstopping for any drift across long ARRI Alexa 35 dailies.
Here is the short of it. Cross-border supply via Sigma Cine Madrid, ARRI Rental Madrid, and Cinegrell — five to six hours by Iberian road, no ATA carnet friction under EU rules — fills any gap on ICA-rebates-scale global features and series including Indiana Jones 5: Dial of Destiny, 1899, Glória, and Rabo de Peixe / White Lines. Live event activations and concert capture for shoots at Estádio José Alvalade, Altice Arena, or Coliseu dos Recreios layer extra Sennheiser Digital 6000 channels and Wisycom MTP60 transmitters on top of the standard kit.
Algarve and Madeira coastal saltwater corrosion forces end-of-day connector cleaning, while Alentejo summer interiors at 35-40°C push battery running discipline. European Portuguese is the on-set comms default. Spanish bridges to Iberian techs and English locks the producer track. RGPD and CNPD compliance under Lei n.º 58/2019 frames each wireless audio archive.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within legal range in Portugal, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Portuguese RF regulations?
We're familiar with Portuguese frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Portugal that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.