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Algarve Faro Old Town - filming location in Portugal

SCENE 01 / VIRTUAL PRODUCTION

Virtual Production

LED volume and real-time VFX for your Portuguese production.

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Here is how this works in practice. Virtual production merges physical filmmaking with real-time digital environments, using LED volumes, motion capture, and game engine technology to create in-camera visual effects. This way gives directors and cinematographers immediate visual feedback, reduces post-prod timelines, and enables creative flexibility on set.

Here is the short of it. We connect you with virtual production stages and tech teams equipped to deliver real-time rendered environments for your project. Our team sets up facility booking, content pipeline setup, and on-set tech support to make sure your virtual production workflow operates smoothly from pre-visualization through final capture.

Capabilities

Virtual Production Services

In-camera visual effects with LED volume technology.

01

LED Volume

  • Large-scale LED walls
  • Curved configurations
  • Ceiling panels
  • High-resolution displays
  • HDR capability

Immersive Stages

02

Real-Time

  • Unreal Engine
  • Live rendering
  • Camera tracking
  • Perspective correction
  • Interactive lighting

In-Camera VFX

03

Production

  • Virtual art department
  • Asset creation
  • On-set supervision
  • Technical direction
  • Color science

Full Support

04

Environments

  • Virtual locations
  • Sci-fi worlds
  • Historical settings
  • Impossible shots
  • Vehicle interiors

Any World

The Future of Filmmaking

Capabilities

Real-Time
Rendering
4K+
LED Walls
In-Camera
VFX
Unreal
Engine

Our Process

1

Pre-Visualization

Planning shots and creating virtual environments in advance of production.

2

Asset Creation

Building detailed 3D environments optimized for real-time rendering.

3

Stage Production

Shooting on the LED volume with real-time environment playback.

4

Finishing

Final compositing, grading, and any extra VFX refinement.

On Location

Virtual production across Portugal — emerging LXmedia Lisbon LED Volume, Tage Studios Palmela ICVFX stage, MovieBox Algarve, plus Iberian-cross-border Babelsberg Vol Stage (1899 Netflix) and Madrid Mediapro-Movistar+ pipelines with Unreal Engine 5.4, Mo-Sys VP Pro XR, disguise xR, and StarTracker camera-tracking.

Here is how this works in practice. Our virtual-production packages route emerging LXmedia Lisbon LED Volume capacity (ROE Visual Black Pearl BP2v2 and Carbon CB-5 tiles at 2.84-millimeter pixel pitch with Brompton Tessera SX40 processors), Tage Studios Palmela ICVFX-equipped cyc-and-LED hybrid, MovieBox Algarve regional VP-and-cyc stage, plus cross-border Studio Babelsberg Vol Stage (the German LED Volume where Netflix's 1899 series by Bo Odar and Jantje Friese — the Dark creators — shot wide virtual-production sequences with Portuguese co-production funding 2022, three-and-a-half-hour TAP Lisbon-Berlin direct), Madrid LED Volume routing via Mediapro (the Spanish broadcast giant operating many ICVFX stages) and Movistar+ on five-to-six-hour van runs from Lisbon.

Here is the breakdown. Real-time engine pipeline runs Unreal Engine 5.4 with Nanite virtualized geometry, Lumen global lighting, Path Tracer offline-reference, World Partition streaming-world build style, plus Mo-Sys VP Pro XR, disguise xR with Notch real-time generative content, Pixotope, and Aximmetry DE sites. Tracking complement runs Mo-Sys StarTracker, stYpe RedSpy, Vicon Start, and OptiTrack Prime systems with sub-millimeter accuracy.

Here is the short of it. Heritage virtual-environment libraries route through DGPC-licensed photogrammetric scans of Portuguese UNESCO sites. Sintra Cultural Landscape 1995 Pena Palace pastel-color ranges, Belém Tower and Jerónimos Monastery 1983 Manueline Gothic Age of Discoveries 1500s detail, Porto Ribeira UNESCO 1996 and Douro Valley UNESCO 2001 terraced-vineyard skybox plates, Évora UNESCO 1986 Roman temple, Tomar Convento de Cristo UNESCO 1983 Knights Templar rotunda, Coimbra University UNESCO 2013 Joanina Library (founded 1290), and Pico Island Vineyards UNESCO 2004 Azores volcanic terraces — for virtual-shoot backplate use without on-site permit overhead.

Here is what that looks like on the ground. Inbound ICA cash-rebates shoots building VP depth have 1899 Netflix 2022, Indiana Jones 5 Dial of Destiny 2023 (Spielberg-Mangold partial Portugal), and emerging episodic-television pipelines targeting Netflix The country, Amazon Prime Video, and Apple TV+ deliverables. VFX-house partnerships route Glimpse VFX Lisbon (Portuguese flagship) and Iberian cross-border El Ranchito Madrid (the El Ranchito VFX house behind Game of Thrones and Rings of Power). Real-time-tracking camera packages route ARRI Alexa Mini LF and Sony Venice 2 with PL-mount Cooke S7/i full-frame anamorphic and ARRI Signature Prime. ICA cash-rebates twenty-five-to-thirty-percent qualifying spend, IVA twenty-three percent, ATA carnet, Segurança Social, and ACT compliance routes through our production-services partners.

FAQ

Frequently Asked Questions

What is virtual production?

Virtual production uses LED walls displaying real-time rendered environments instead of green screens. The camera sees a finished background on set, allowing immediate creative decisions and in-camera visual effects that interact with lighting.

What are the benefits over green screen?

LED volumes give realistic reflections in eyes and surfaces, accurate interactive lighting on actors, immediate creative feedback, reduced post-prod time, and no green spill or complex keying needs.

What software do you use?

We primarily use Unreal Engine for real-time rendering, along with industry-standard tools for tracking, color science, and asset management. The system integrates with standard cinema cameras and workflows.

Can you create custom environments?

Yes, our virtual art department creates custom 3D environments optimized for LED volume display. These can be photorealistic locations, fantastical worlds, or anything in between—delivered ready for real-time playback.

What about camera tracking?

Camera tracking is key for perspective-correct backgrounds. We use pro tracking systems that sync camera position with virtual environment rendering, keeping parallax and perspective as the camera moves.

Where are LED volumes in Portugal?

Portugal has several LED volume facilities of differing sizes. We can advise on the best stage for your needs and set up all tech aspects of virtual production including crew and gear.

Productions in Portugal that need this often pair it with AR Production, LED Wall Virtual Production, and Green Screen Filming for full coverage. Most projects also draw on Camera & Cinematography and Production Services.

On Set

Ready for Virtual Production?

Tell us about your project and we'll bring any world to your set.